What Hath Olympus Wrought?
It's been 24 hours since Olympus announced their latest µ4/3rds lens, the M.Zuiko Digital ED 12-50mm 1:3.5-6.3 zoom with macro capabilities. And based on comments coming out of mouths of the commentariat you'd have thought that Olympus has delivered a lens that's dead on arrival. Being the contrarian that I am, I think they're all full of it.
Let's do a quick run down of this lens' capabilities:
I own the 12-60mm and use it quite extensively. I love that lens. But that lens is big and heavy and requires a decent sized body, such as the E-1, E-30, E-3, or E-5 to work comfortably with it. Let's do a quick side-by-side comparison of both lenses key features.
The last two specifications, weight and cost, are real standouts for me. This is the first µ4/3rds lens that comes in at what I consider a fair price in comparison to its regular 4/3rds equivalent. Yes, the 12-50mm is 1 stop slower (1 1/3rd at 50mm) than the 12-60mm, and doesn't go out to 60mm. Boo-hoo.
Here's what I've discovered using my copy of the 12-60mm, which I purchased in December 2008.
Let's do a quick run down of this lens' capabilities:
- Dust and splashproof, similar to 4/3rds HG (High Grade) and SHG (Super High Grade)
- Macro capability, 1:3 (roughly), 8 to 20 inches closest focusing
- Electronic zoom for smoother zooming capability during video capture
- Mechanical zoom for stills
- Fly-by-wire manual focus
- Extremely quite autofocus (MSC, Movie-Stills-Compatible)
- $500 suggested price.
- Max aperture range 1:3.5 (12mm) to 1:6.3(50mm)
- A weight of 211 grams
I own the 12-60mm and use it quite extensively. I love that lens. But that lens is big and heavy and requires a decent sized body, such as the E-1, E-30, E-3, or E-5 to work comfortably with it. Let's do a quick side-by-side comparison of both lenses key features.
Olympus Lens Comparision (µ4/3rds 12-50mm vs. 4/3rds 12-60mm) | ||
Version | µ4/3rds 12-50mm | 4/3rds 12-60mm |
Length | 83mm | 99mm |
Diameter | 57mm | 80mm |
Filter diameter | 52mm | 72mm |
Weight | 211g | 575g |
Cost (New) | $500 | $900 |
The last two specifications, weight and cost, are real standouts for me. This is the first µ4/3rds lens that comes in at what I consider a fair price in comparison to its regular 4/3rds equivalent. Yes, the 12-50mm is 1 stop slower (1 1/3rd at 50mm) than the 12-60mm, and doesn't go out to 60mm. Boo-hoo.
Here's what I've discovered using my copy of the 12-60mm, which I purchased in December 2008.
- I usually stop the 12-60mm down one stop for best optical performance, which means I operate the lens from f/4 to f/5.6. That slots neatly into the max aperatures of the 12-50mm (1:3.5 to 1:6.3). And here's a little secret: f/6.3 is only one third stop slower than f/5.6. And I would be willing to spend good money that the 12-50mm's optical performance at max aperture is as good, if not better than, the 12-60mm stopped down one stop. And the 12-60mm ain't no slouch.
- The 12-50mm is almost 3 times lighter (2.73 to be exact) than the 12-60mm. That's a really nice weight, especially for a small sized µ4/3rds system. This lens would make an excellent walk-around lens mounted on any of the E-Px series of digital Pens.
- That cost. The more speedy you want a lens, the more glass you need, and the more elaborate the lens formula. There are folks who feel the 12-60mm is too slow for a zoom, and so purchase the SHG 14-35mm 1:2 zoom, for a mere $2,500. If you think that Olympus charges too much, then you need to look at the Nikon and Canon equivalents for equivalent amounts of money.
sounds excellent. I only wish there was a body to match that spec of dust sealed lens.
ReplyDeleteAs you often are, you are right again this time, Bill.
ReplyDeleteThe whole point of M4/3 is "small and light" and this means compromises have to be made to create a lens with this much capability and keep it from defeating the whole purpose of M4/3.
Had they built a M4/3 clone of the 4/3 12-60mm lens, it would have been almost as big and heavy as the 4/3 version, and cost significantly more than it does.
What interests me most about this lens is that it's weather sealed, which suggests that there's a camera coming up that can take advantage of it. That could be interesting to see.
ReplyDeleteMarketing a lens that f/6.5 at 50mm is going to be tough. f/5.6 is bad enough on a 1.5x crop, but $500 for one that's even darker is a big hurdle to cross even if the lens is stellar in all other respects.
Bill,
ReplyDeleteThe first thing that struck me was the slow aperture of this lens, and I thought I wouldn't be spending anymore time looking at this lens.
Then I realised that aperture isn't everything.
As you've pointed out, if the wide-open sharpness matches that of the 4/3 12-60mm, Oly has a winner that's more affordable, lighter, focuses blazingly fast (from Robin Wong's review), is weathersealed, and has *macro*.
Think the macro feature has been happily sussed by many. It's a great feature to have at 1:3, and at such a price - a steal!